Despite the script, Bart II is marvelous: beguiling in friendliness, plaintive when caged, sterling in sharp-clawed menace. The bruin has a thankless parthe must symbolize Einar's id, his unspoken grief and anger. The grizzly has been coached, like his late, lamented namesake, Bart (1978-2000), by Doug and Lynne Seus, who must be the antitheses of Timothy "Grizzly Man" Treadwell when it comes to understanding bears. Bart the Bear II is a Kodiak bear formerly known as Little Bart. Still, it boasts one uncompromised performance.
AN UNFINISHED LIFE LOCATION FULL
The film is full of easy-reader symbolism. An Unfinished Life isn't over until Einar has beat up not one, but three separate young punksscenes that are supposed to be Viagra for old actors. Strangely, he inspires such respect in the battered granddaughter that she calls him "Sir" upon first sight, recovering nicely from all of her bad experiences with men. Unfortunately, Redford is a cute boy who turned into a cute codger. John Wayne might have indicated the uncomfortable moods stirring under the rancher's shell. Still, the film is unclear in important spotsas in the matter of whether or not Jean has a restraining order against her boyfriend.
Scriptwriters Mark and Virginia Korus Spragg are working from formulas that were old when they were young. Fieldsall the balls go exactly where you think they should, and it's hard to work up surprise at the way the game ends.
AN UNFINISHED LIFE LOCATION MOVIE
Watching the movie is like playing pool with W.C. She also commences a sex-only-please tryst with the local sheriff (Matthew McConaughey look-alike Josh Lucas). Meanwhile Jean waltzes into a job at the local chat-and-chew, befriending the head waitress (UCSC's own Camryn Manheim). The secrets of Mitch's wounds and Einar's anger with Jean are all revealed in time. In his off-hours, the rancher talks to the tombstone of his dead son, which bears the words "An Unfinished Life." Einar's other duty is nursing the still unhealed wounds of his ex-hired hand and now closest friend, Mitch (Morgan Freeman, pitted with PG-rated scars, looking like Queequeg in Moby Dick). Turning tail to home means reconnecting with Griff's ornery grandfather: the dry-drunk Einar (Redford), who tends one lone milk cow, the last of all his stock.
When their car breaks down, Jean decides to go to the only place she can think of: her home town in Wyoming, where the elevation is three times the population. Jean (Jennifer Lopez, seriously miscast) and her daughter, Griff (Becca Gardner), head for the hills, fleeing Jean's battering boyfriend, Gary (Damian Lewis). Hallström is at his best during the economical first scenes. The themelike almost everything connected with Redford or the movies trumpeted at his Sundance Festivalis a family reconnecting under the shadow of the Western landscape. The culprit in 'An Unfinished Life' is a predictable screenplay, but let us now praise famous bearsĪFTER SITTING in the can for two years, An Unfinished Life has a stale flavor unperked by Lasse "Wholesome" Hallström's direction, star Robert Redford's movie-long séance for John Wayne or Morgan Freeman's more credible attempt to channel Walter Brennan. Metroactive Movies | 'An Unfinished Life'
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